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Sgt. Pepper's Lonely Hearts Club Band (Remastered 2009)

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We use cookies to ensure that we give you the best experience on our website. Pepper's Lonely Hearts Club Band " was the first example of the Beatles recording via direct injection DI , which Townsend devised as a method for plugging electric guitars directly into the recording console.

Some of the mixing employed automatic double tracking ADT , a system that uses tape recorders to create a simultaneous doubling of a sound.

ADT was invented by Townsend during the Revolver sessions in especially for the Beatles, who regularly expressed a desire for a technical alternative to having to record doubled lead vocals.

During the recording of Lennon's vocals, the tape speed was reduced from 50 cycles per second to 45, which produced a higher and thinner-sounding track when played back at the normal speed.

MacDonald credits the new recording technique with creating a "three-dimensional" sound that, along with other Beatles innovations, engineers in the US would soon adopt as standard practice.

Artistic experimentation, such as the placement of random gibberish in the run-out groove, became one of the album's defining features.

Pepper was the first pop album to be mastered without the momentary gaps that are typically placed between tracks as a point of demarcation.

Author Robert Rodriguez writes that while Lennon, Harrison and Starr embraced the creative freedom afforded by McCartney's band-within-a-band idea, they "went along with the concept with varying degrees of enthusiasm".

Pepper sessions. I said, 'I read the news today, oh boy. Everett describes Starr as having been "largely bored" during the sessions, with the drummer later lamenting: "The biggest memory I have of Sgt.

Pepper became "an assembly process" whereby, "A lot of the time it ended up with just Paul playing the piano and Ringo keeping the tempo, and we weren't allowed to play as a band as much.

In Lewisohn's opinion, Sgt. Pepper represents the group's last unified effort, displaying a cohesion that deteriorated immediately following the album's completion and entirely disappeared by the release of The Beatles also known as the "White Album" in Pepper , "There was a very good spirit at that time between all the Beatles and ourselves.

We were all conscious that we were doing something that was great. In terms of quantity, it wasn't great, but in terms of quality, it was enormous.

Among musicologists, Allan Moore says that Sgt. Pepper is composed mainly of rock and pop music , while Michael Hannan and Naphtali Wagner both see it as an album of various genres; Hannan says it features "a broad variety of musical and theatrical genres".

Pepper as " proto-progressive ". According to author George Case, all of the songs on Sgt. Pepper were perceived by contemporary listeners as being drug-inspired, with marking the pinnacle of LSD's influence on pop music.

The author Sheila Whiteley attributes Sgt. Pepper 's underlying philosophy not only to the drug culture , but also to metaphysics and the non-violent approach of the flower power movement.

Pepper 's lyrics, identifying loss of innocence and the dangers of overindulgence in fantasies or illusions as the most prominent themes.

Pepper opens with the title track , starting with 10 seconds of the combined sounds of a pit orchestra warming up and an audience waiting for a concert, creating the illusion of the album as a live performance.

Pepper's band, who, led by Lennon, then sing a message of appreciation for the crowd's warm response. The song's five- bar bridge is filled by a French horn quartet.

The title track segues into " With a Little Help from My Friends " amid the sound of screaming fans recorded during a Beatles concert at the Hollywood Bowl.

Despite widespread suspicion that the title of " Lucy in the Sky with Diamonds " contained a hidden reference to LSD, Lennon insisted that it was derived from a pastel drawing by his four-year-old son Julian.

A hallucinatory chapter from Lewis Carroll 's novel Through the Looking-Glass , a favourite of Lennon's, inspired the song's atmosphere.

The first verse begins with what Womack characterises as "an invitation in the form of an imperative" through the line: "Picture yourself in a boat on a river", and continues with imaginative imagery, including "tangerine trees", "rocking horse people" and "newspaper taxis".

MacDonald considers " Getting Better " to contain "the most ebullient performance" on Sgt. In Everett's view, the lyrics to " She's Leaving Home " address the problem of alienation "between disagreeing peoples", particularly those distanced from each other by the generation gap.

Pepper that eschews the use of guitars and drums, featuring only a string nonet with a harp. Lennon adapted the lyrics for " Being for the Benefit of Mr.

Harrison's Hindustani classical music -inspired " Within You Without You " reflects his immersion in the teachings of the Hindu Vedas , while its musical form and Indian instrumentation, such as sitar, tabla , dilrubas and tamburas, recalls the Hindu devotional tradition known as bhajan.

MacDonald regards "Within You Without You" as "the most distant departure from the staple Beatles sound in their discography", and a work that represents the "conscience" of the LP through the lyrics' rejection of Western materialism.

You were supposed to hear the audience anyway, as they listen to Sergeant Pepper's Show. That was the style of the album. MacDonald characterises McCartney's " When I'm Sixty-Four " as a song "aimed chiefly at parents", borrowing heavily from the English music hall style of George Formby , while invoking images of the illustrator Donald McGill 's seaside postcards.

Womack describes " Lovely Rita " as a work of "full-tilt psychedelia" that contrasts sharply with the preceding track. Lennon was inspired to write " Good Morning Good Morning " after watching a television commercial for Kellogg's Corn Flakes, the jingle from which he adapted for the song's refrain.

The track uses the bluesy Mixolydian mode in A, which Everett credits with "perfectly express[ing] Lennon's grievance against complacency". The hard-rocking song was written after Neil Aspinall , the Beatles' road manager, suggested that since "Sgt.

Pepper" opened the album, the fictional band should make an appearance near the end. Pepper sessions where the group taped a basic track live with their usual stage instrumentation.

The last chord of the "Sgt. Pepper" reprise segues amid audience applause to acoustic guitar strumming and the start of what Moore calls "one of the most harrowing songs ever written".

The first crescendo serves as a segue between the third verse and the middle part, leading to a bridge known as the "dream sequence". According to Martin, Lennon and McCartney were equally responsible for the decision to use an orchestra.

Riley characterises the song as a "postlude to the Pepper fantasy As "A Day in the Life" ends, a kilohertz high-frequency tone is heard; it was added at Lennon's suggestion with the intention that it would annoy dogs.

Lennon can be heard saying, "Been so high", followed by McCartney's response: "Never could be any other way. According to Womack, with Sgt. Pepper 's opening song "the Beatles manufacture an artificial textual space in which to stage their art.

Pepper concept, adding: " Sgt. Pepper is called the first concept album, but it doesn't go anywhere In MacFarlane's view, the Beatles "chose to employ an overarching thematic concept in an apparent effort to unify individual tracks".

In a interview, McCartney recalled that the Liverpool childhood theme behind the first three songs recorded during the Sgt. Pepper sessions was never formalised as an album-wide concept, but he said that it served as a "device" or underlying theme throughout the project.

Pepper that are "too persuasive to ignore". These include evocations of the postwar Northern music-hall tradition, references to Northern industrial towns and Liverpool schooldays, Lewis Carroll-inspired imagery acknowledging Lennon's favourite childhood reading , the use of brass instrumentation in the style of park bandstand performances familiar to McCartney through his visits to Sefton Park , [] and the album cover's flower arrangement akin to a floral clock.

The front of the LP includes a colourful collage featuring the Beatles in costume as Sgt. Pepper's Lonely Hearts Club Band, standing with a group of life-sized cardboard cut-outs of famous people.

In front of the drum is an arrangement of flowers that spell out "Beatles". Berman Ltd. Next to the Beatles are wax sculptures of the band members in their suits and moptop haircuts from the Beatlemania era, borrowed from Madame Tussauds.

The cover collage includes 57 photographs and nine waxworks. The 30 March photo session with Cooper also produced the back cover and the inside gatefold, which Inglis describes as conveying "an obvious and immediate warmth Really try and feel love; really give love through this!

The album's lyrics were printed in full on the back cover, the first time this had been done on a rock LP. These consisted of a postcard-sized portrait of Sgt.

Pepper, based on a statue from Lennon's house that was used on the front cover, a fake moustache, two sets of sergeant stripes, two lapel badges, and a stand-up cut-out of the Beatles in their satin uniforms.

The party marked the band's first group interaction with the press in close to a year. On 26 May, Sgt. Pepper was given a rush-release in the UK, ahead of the scheduled date of 1 June.

Pepper's band were one and the same. Pepper was widely perceived by listeners as the soundtrack to the Summer of Love, [] [] during a year that author Peter Lavezzoli calls "a watershed moment in the West when the search for higher consciousness and an alternative world view had reached critical mass".

The closest Western Civilization has come to unity since the Congress of Vienna in was the week the Sgt. Pepper album was released. In every city in Europe and America the radio stations played [it] For a brief while the irreparable fragmented consciousness of the West was unified, at least in the minds of the young.

According to Riley, the album "drew people together through the common experience of pop on a larger scale than ever before". In his view, Sgt.

Pepper conveyed the psychedelic experience so effectively to listeners unfamiliar with hallucinogenic drugs that "If such a thing as a cultural ' contact high ' is possible, it happened here.

He says the most remarkable thing was its acceptance by adults who had turned against the Beatles when they became "gaunt and enigmatic", and how the group, recast as polished "masters of ceremony", were now "the very family favourites they'd sought to satirise".

Pepper as "the biggest pop happening" to take place between the Beatles' debut on American television in February and Lennon's murder in December , [] while Norman writes: "A whole generation, still used to happy landmarks through life, would always remember exactly when and where they first played it Pepper was played in kiosks and stands there, and festival staff wore badges carrying Lennon's lyric "A splendid time is guaranteed for all".

American radio stations interrupted their regular scheduling, playing the album virtually non-stop, often from start to finish.

Pepper ; [] it made the band's drug-taking public knowledge [] and confirmed the link between the album and drugs. Pepper topped the Record Retailer albums chart now the UK Albums Chart for 23 consecutive weeks from 10 June, with a further four weeks at number one in the period through to February With 2.

Pepper ' s initial commercial success exceeded that of all previous Beatles albums. The release of Sgt. Pepper coincided with a period when, with the advent of dedicated rock criticism , commentators sought to recognise artistry in pop music, particularly in the Beatles' work, and identify albums as refined artistic statements.

The vast majority of contemporary reviews of Sgt. Pepper were positive, with the album receiving widespread critical acclaim. Pepper as a "pop music master-class" [] and commented that, so considerable were its musical advances, "the only track that would have been conceivable in pop songs five years ago" was "With a Little Help from My Friends".

He found "plenty of electronic gimmickry on the record" before concluding: "but that isn't the heart of the thing.

It's the combination of imagination, cheek and skill that make this such a rewarding LP. Newsweek 's Jack Kroll called Sgt.

Pepper a "masterpiece" and compared its lyrics with literary works by Edith Sitwell , Harold Pinter and T.

Pepper as a "spoiled" child and "an album of special effects, dazzling but ultimately fraudulent", [] [] and was critical of the Beatles for sacrificing their authenticity to become "cloistered composers".

Among the commentators who responded to Goldstein's critique, [] composer Ned Rorem , writing in The New York Review of Books , credited the Beatles with possessing a "magic of genius" akin to Mozart and characterised Sgt.

Pepper as a harbinger of a "golden Renaissance of Song". Pepper album one thinks not simply of the history of popular music but the history of this century.

Pepper as "a consolidation, more intricate than Revolver but not more substantial". He suggested that Goldstein had fallen "victim to overanticipation", identifying his primary error as "allow[ing] all the filters and reverbs and orchestral effects and overdubs to deafen him to the stuff underneath, which was pretty nice".

In the wake of Sgt. Pepper , the underground and mainstream press widely publicised the Beatles as leaders of youth culture, as well as "lifestyle revolutionaries".

Pepper was the focus of much celebration by the counterculture. McCartney's LSD admission formalised the link between rock music and drugs, and attracted scorn from American religious leaders and conservatives.

As part of an escalating national debate that triggered an investigation by the US Congress , [] he launched a campaign in [] to address the issue of American youth being "brainwashed" into taking drugs through the music of the Beatles and other rock artists.

It's just in your own head, the realisation. The Beatles' presentation as Sgt. Pepper's band resonated at a time when many young people in the UK and the US were seeking to redefine their own identity and were drawn to communities that espoused the transformational power of mind-altering drugs.

Pepper was viewed as a "code for life", according to music journalist Alan Clayson , with street people such as the Merry Band of Pranksters offering "Beatle readings".

Pepper appeared shallow against the emotional backdrop of the political and social upheavals of American life. Pepper "defined the year" by conveying the optimism and sense of empowerment at the centre of the youth movement.

Pepper "remains a central pillar of the mythology and iconography of the late '60s", [] while Colin Larkin states in his Encyclopedia of Popular Music : "[it] turned out to be no mere pop album but a cultural icon, embracing the constituent elements of the 60s' youth culture: pop art, garish fashion, drugs, instant mysticism and freedom from parental control.

Pepper achieved "a combination of popular success and critical acclaim unequaled in twentieth-century art Pepper has attained the kind of populist adoration that renowned works often assume regardless of their larger significance — it's the Beatles' ' Mona Lisa '.

Pepper , with particularly effusive approbation coming from Rorem, Bernstein and Tynan, "as if every critic was seeking to outdo the other for the most lavish embrace of the Beatles' new direction".

Pepper , established American publications such as Vogue , Playboy and the San Francisco Chronicle started discussing rock as art, in terms usually reserved for jazz criticism.

Pepper , you had to try to write something as good as Sgt. Because, of course, what made that record beautiful was the beautiful response it created in you; if your written response was true to your listening response, the writing would stand on its own as a creation on par with the record.

Through its acceptance by "serious" composers, according to Schaffner, Sgt. Pepper satisfied the ambitions of a staid, middle-age American audience keen to be seen as in tune with young people's tastes, and every major rock LP was subsequently given the same level of critical analysis.

Pepper was the only album afforded a dedicated release. Julien describes Sgt. Pepper as a "masterpiece of British psychedelia" and says that it represents the "epitome of the transformation of the recording studio into a compositional tool", marking the moment when "popular music entered the era of phonographic composition".

Pepper as the album that "revolutionized rock and roll", [] while music journalists Andy Greene and Scott Plagenhoef credit it with marking the beginning of the album era.

Pepper was "the catalyst for an explosion of mass enthusiasm for album-formatted rock that would revolutionize both the aesthetics and the economics of the record business in ways that far out-stripped the earlier pop explosions triggered by the Elvis phenomenon of and the Beatlemania phenomenon of ".

Music critic Greg Kot said that Sgt. Pepper introduced a template not only for creating album-oriented rock but also for consuming it, "with listeners no longer twisting the night away to an assortment of three-minute singles, but losing themselves in a succession of minute album sides, taking a journey led by the artist".

Pepper , US record companies no longer altered the content of albums by major British acts such as the Rolling Stones, the Kinks and Donovan, and their LPs were released in the artists' intended configuration.

According to Simonelli, Sgt. Pepper established the standard for rock musicians, particularly British acts, to strive towards in their self-identification as artists rather than pop stars, whereby, as in the Romantic tradition, creative vision dominated at the expense of all commercial concerns.

Following the Beatles' example, many acts spent months in the studio creating their albums, focused on an artistic aesthetic and in the hope of winning critical approval.

Sorrow , all issued the following year. Pepper trap of trying to put out a 'progressive,' 'significant' and 'different' album, as revolutionary as the Beatles.

But it couldn't be done, because only the Beatles can put out an album by the Beatles. The Guardian views the album's effect on Carla Bley as one of the "50 key events in the history of dance music ".

Pepper [] — the avant-jazz triple album Escalator Over the Hill [] — which combined rock, Indo-jazz fusion and chamber jazz.

More than any other record it gave me and my generation permission to branch out and do whatever we wanted. Over subsequent decades, musical acts would refer to their major artistic work as "our Sgt.

Pepper ". Pepper was highly influential on bands in the US acid rock or psychedelic rock scene. Pepper is commonly recognised as having originated progressive rock , due to the album's self-conscious lyrics, its studio experimentation, and its efforts to expand the barriers of conventional three-minute tracks.

MacFarlane writes that, despite concerns regarding its thematic unity, Sgt. Pepper "is widely regarded as the first true concept album in popular music".

Pepper that familiarised critics and listeners with the notion of a "concept and unified structure underlying a pop album", thus originating the term "concept album".

Pepper , musicians increasingly explored literary and sociological themes in their concept albums and adopted its anti-establishment sentiments.

Pepper as the beginning of art rock. Inglis states that almost every account of the significance of Sgt. Pepper emphasises the cover's "unprecedented correspondence between music and art, time and space".

Pepper — would have seemed like "fanciful conceit". Pepper ] cover has been regarded as groundbreaking in its visual and aesthetic properties, congratulated for its innovative and imaginative design, credited with providing an early impetus for the expansion of the graphic design industry into popular music, and perceived as largely responsible for the connections between art and pop to be made explicit.

Pepper contributed to the popular trend for military-style fashions as adopted by London's boutique shops.

Pepper cover in its list of British masterpieces of twentieth-century art and design, placing it ahead of the red telephone box , Mary Quant 's miniskirt , and the Mini motorcar.

Although few critics initially agreed with Richard Goldstein's criticism of the album, many came to appreciate his sentiments by the early s. Pepper as "playful but contrived" and "a Day-Glo tombstone for its time".

Rock and roll is not an 'art form'; rock and roll is a raw wail from the bottom of the guts. Pepper appeared "bound to a moment" amid the year's culturally important music that had "dated in the sense that it speaks with unusually specific eloquence of a single point in history".

Christgau said of the album's "dozen good songs and true", "Perhaps they're too precisely performed, but I'm not going to complain.

Pepper as "the last great pop album, the last LP ambitious to amuse everyone ". Once the Beatles' catalogue became available on CD in , a critical consensus formed around Revolver ' s standing as the band's best work; the White Album also surpassed Sgt.

Pepper in many critics' estimation. Pepper ' s 40th anniversary, for Mojo , John Harris said that, such was its "seismic and universal" impact and subsequent identification with , a "fashion for trashing" the album had become commonplace.

Though by no means universally degraded Pepper had taken a protracted beating from which it has perhaps yet to fully recover. Regularly challenged and overtaken in the Best Beatle Album stakes Pepper as "a revelation of how far artists could go in a recording studio with only four tracks, plenty of imagination, and a drug or two", but also "a masterwork of sonics, not songwriting".

Pepper will continue to cast its considerable spell. Looking back from a point when its sonic innovations have been integrated into the mainstream, it remains a wonky, colourful and wildly improbable pop classic, although a little slighter and less cohesive than it may have seemed at the time.

Pepper has long been subsumed under "an avalanche of hyperbole", the album retains an enduring quality "because its sum is greater than its whole These guys weren't just recording songs; they were inventing the stuff with which to make this record as they went along.

He concludes: "After Sgt. Pepper , there were no rules to follow — rock and pop bands could try anything, for better or worse.

Pepper sustained its immense popularity into the 21st century while breaking numerous sales records. Pepper is the third-best-selling album in UK chart history and the best-selling studio album there.

Pepper was among the top 20 best-selling albums of all time worldwide. Pepper has topped many "best album" lists. In , Sgt. Pepper was inducted into the Grammy Hall of Fame , [] and ten years later it was one of 50 recordings chosen by the Library of Congress to be added to the National Recording Registry , honouring the work as "culturally, historically, or aesthetically significant".

Pepper was "the most important rock 'n' roll album ever made", [] a point to which June Skinner Sawyers adds, in her collection of essays Read the Beatles : "It has been called the most famous album in the history of popular music.

It is certainly among the most written about. It is still being written about. Pepper appears at number Pepper was chosen by Time as one of the best albums of all time.

Pepper as "kaleidoscopic" and an "orchestral baroque pop masterpiece the likes of which has rarely been matched since".

The Sgt. Pepper mythology was reimagined for the plot of Yellow Submarine. In the animated film, the Beatles travel to Pepperland and rescue Sgt. Pepper's band from evildoers, the Blue Meanies.

Pepper uniforms to pay tribute to the Beatles' album during the opening ceremony of the London Olympics. Pepper has been the subject of many tribute albums, [] including a multi-artist CD available with the March issue of Mojo and a live album, Sgt.

Pepper Live , by Cheap Trick. Pepper's 40th Anniversary in June Pepper , which included interviews with the three surviving Beatles. On 26 May , Sgt.

Pepper's Lonely Hearts Club Band was reissued for the album's 50th anniversary as a six-disc box set. Pepper's Musical Revolution to commemorate the anniversary, [] which was also celebrated with posters, billboards and other decorations in cities around the world.

Pepper and "Penny Lane", arranged by Ethan Iverson , plus six original compositions by Iverson, [] and a dawn-to-dusk celebration of Indian music was held in recognition of Harrison's absorption in the genre.

Pepper topped the UK Albums Chart. From Wikipedia, the free encyclopedia. This article is about the album.

For other uses, see Sgt. Pepper's Lonely Hearts Club Band disambiguation. Rock pop psychedelia art rock.

We were fed up with being the Beatles. We really hated that fucking four little mop-top approach. We were not boys, we were men Music papers started to slag us off Pepper ] took five months to record, and I remember the great glee seeing in one of the papers how the Beatles have dried up Listening to each stage of their recording, once they've done the first couple of tracks, it's often hard to see what they're still looking for, it sounds so complete.

Often the final complicated, well-layered version seems to have drowned the initial simple melody. But they know it's not right, even if they can't put it into words.

Their dedication is impressive, gnawing away at the same song for stretches of ten hours each. We didn't really shove the LP full of pot and drugs but, I mean, there was an effect.

We were more consciously trying to keep it out. You wouldn't say, "I had some acid, baby, so groovy," but there was a feeling that something had happened between Revolver and Sgt.

The beginning of the first verse of "Sgt. Pepper's Lonely Hearts Club Band". In its opening line, "It was twenty years ago today", the song introduces a historical perspective on pop music, [] delivered in what music journalist Chris Ingham terms McCartney's "best Little Richard holler".

The beginning of "Lucy in the Sky with Diamonds". The recording's blend of tambura and Lowrey organ creates what Hannan views as one of the album's "most unusual sound combination[s]".

We're not trying to outwit the public. The whole idea is to try a little bit to lead people into different tastes. Hannan writes: "The rich timbres of the clarinets give the mix a fuller, fatter sound than many of the other tracks on the album.

The "dream sequence" from "A Day in the Life". Womack describes the "sarcastic brass retort" that ends the sequence as the "most decisive moment" on Sgt.

Further information: List of images on the cover of Sgt. Pepper ' s arrival in late spring came at a most opportune moment in Western cultural history: mainstream journalism had at last warmed to the idea that the "rock" world The wind was at their back, and they knew it.

Pepper ] people then started thinking that you could spend a year making an album and they began to consider an album as a sound composition and not just a musical composition.

The idea was gradually forming of a record being a performance in its own right and not just a reproduction of a live performance.

It was inevitable that some of the critical assessment of subsequent generations would grumble. Some have griped about the archness of the band-within-a-band concept, the elaborate studio artifice, the dominance of McCartney's songs routinely but unfairly considered as lightweight and bourgeois , the virtual freezing out of George Harrison … and the only episodic interest of a perpetually tripping Lennon.

Wiener, the album's intended release date of 1 June has been "traditionally observed" over the ensuing decades, yet the true release date was 26 May.

Pepper marks the emergence of McCartney as the Beatles' de facto producer, as Martin was increasingly absent near the end of late-night sessions that often lasted until dawn.

When they learned that Lennon was alone on the rail-less rooftop, Harrison and McCartney rushed up to retrieve him and prevent a possible accident.

Pepper TV special. Pepper" reprise was crossfaded into "A Day in the Life". Pepper closes with nonsensical vocals just as Freak Out!

Pepper as being "in other places, grown-up to an unprecedented, indeed perilous, degree". He concludes of this combination: "Its superabundance reflected a conscious wish on the Beatles' part to make amends to their fans for their abandonment of touring.

Clamped between headphones in a recording studio, they managed to put on a live show more exciting, more intimate , than any since they'd left the Cavern.

McCartney's original idea, according to Blake, was for the Beatles to pose in an Edwardian-era drawing room in front of a wall filled with portraits of their heroes.

Pepper cover as "a microcosm of the Underground world". Pepper cover piqued a frenzy of analysis. He notes several elements of the cover that were interpreted as evidence of McCartney's death, including: the Beatles are supposedly standing about a grave, the hand above McCartney's head is regarded as a "symbol of death", and on the back cover, he is turned away from the camera.

Kantner later said: "Something enveloped the whole world at that time and it just exploded into a renaissance.

He remembers the record as "the soundtrack to that summer, and that winter You just could not get away from it.

I put that down as one of the great honours of my career. He adds that some negative letters were sent to Melody Maker that he speculates were written by jazz enthusiasts.

He also said that, underneath the production when "the compositions are stripped to their musical and lyrical essentials", the LP was shown to be "an elaboration without improvement" on the group's music.

Pepper to relate his psychedelic experiences and journey towards higher consciousness. One reader complained that all the songs except "Sgt.

Pepper" and "When I'm Sixty-Four" were "over our heads", adding, "The Beatles ought to stop being so clever and give us tunes we can enjoy.

Pepper became both "a milestone and a millstone in music history". In his view, it paled beside the band's previous two albums, since "There's about half the songs I like and the other half I can't stand.

Pepper as "George Martin's new album". And there's got to be a little bitterness over that. Pepper , Sandy Dennis decided to abandon her solo career as a folk singer and joined the band Fairport Convention.

Crosby recalled that whereas previous Beatles releases might have brought out a competitive instinct in him, with Sgt. Pepper "they were so far ahead of everybody But it was inspiring; all I wanted to do was approach my music with the same freedom.

Pepper ' s Grammy for Album of the Year along with wins for Shankar's collaboration with violinist Yehudi Menuhin West Meets East and for Duke Ellington Far East Suite as the only time that Indian-influenced albums have won in categories encompassing rock, classical music and jazz at the annual Grammy awards.

Pepper returned to the Billboard LPs chart in late , at the height of the "Paul is dead" rumours. Pepper is tinged with conceit. Pepper as "a flawed masterpiece that can only echo the strength of Revolver ".

It's time to make way for great new music. Pepper second followed by the White Album. Pepper was ranked third to Revolver and Radiohead 's The Bends.

Pepper never would have happened Pepper was an attempt to equal Pet Sounds. Pepper , EMI refused the request. Pepper Special". Archived from the original on 14 August Retrieved 23 August Archived from the original on 2 February Retrieved 2 February Rolling Stone.

Retrieved 23 March Pepper "grew naturally out of Revolver ". Rock's Backpages. Retrieved 5 June Retrieved 14 November BBC Radio 2.

Archived from the original on 22 December Retrieved 31 December The Guardian. London: Emap. Pepper cover secondary source , Miles , p.

Pepper cover featured the Beatles as the imaginary band alluded to in the album's title track, standing with a host of celebrities secondary source ; The Beatles , p.

Retrieved 17 June National Post. Retrieved 5 May Ultimate Classic Rock. Retrieved 10 June Melody Maker.

Pepper' Launch Parties". The History of Rock. Official Charts Company. Archived from the original on 20 August Retrieved 11 November Archived from the original on 17 December Retrieved 23 October Archived from the original on 12 March Retrieved 18 April Deconstructing Pop Culture.

Archived from the original on 6 March Retrieved 23 June Archived from the original on 3 November Retrieved 3 November Archived from the original on 5 November Retrieved 5 November The Village Voice.

Archived from the original on 21 February Retrieved 28 April Pepper at The Beatles' masterpiece changed popular music".

Pittsburgh Post-Gazette. Archived from the original on 6 January Retrieved 7 November Archived from the original on 19 March Retrieved 1 January Archived from the original on 15 April Retrieved 14 April The Washington Post.

Archived from the original on 19 April Retrieved 24 January Archived from the original on 5 January Retrieved 3 February Retrieved 14 June Archived from the original on 5 April Retrieved 17 April Retrieved 11 April Archived from the original on 7 August Retrieved 10 August Retrieved 10 March Retrieved 16 June Archived from the original on 7 December Retrieved 11 March Pepper a Signpost to Prog?

Archived from the original on 21 December Pepper's Lonely Hearts Club Band ". Archived from the original on 3 December Retrieved 3 December The Daily Telegraph.

Archived from the original on 4 November Archived from the original on 23 October Retrieved 6 January Pepper's Lonely Hearts Club Band staff review ".

Archived from the original on 21 April Archived from the original on 22 February Retrieved 22 June Retrieved 9 June BBC News.

Archived from the original on 31 July BBC Music. Archived from the original on 15 November Retrieved 4 November Archived from the original on 27 September Retrieved 3 October Archived from the original on 2 October Archived from the original on 24 September Retrieved 11 September Pepper taught the band to play".

Archived from the original on 26 July Retrieved 21 April The Marquee at CNN. Archived from the original on 22 June

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